Showing posts with label Dillinger. Show all posts
Showing posts with label Dillinger. Show all posts

Wednesday, August 11, 2010

Dreadlocks Rock

Here's one of my favourite records - deejay on one side and instrumental on the other. It's 'Dreadlock Rock' by Dillinger, a version of 'Don't Touch Me' by Nicky Thomas, and 'Fort Augustus Rock' by Joe Gibbs & the Professionals which is a seriously ruff horns and bongo cut to 'Beat Down Babylon' (the spoken intro is by Prince Glen, aka Trinity).


This is quite a rare one, and well worth picking up if you see it. There's a wicked deejay cut on the same label, 'Virginia Skank' by Prince Glen, which came out on the back of a reggae version of 'In Heaven There Is No Beer' by the Happs. 

Tuesday, June 22, 2010

Heavy Stuff


Today's tune is a seriously heavy 1976 offering from Dillinger, produced by Harry J. It's not on the Studio 1 'Death In The Arena' rhythm - I'd be interested to hear from anyone who recognises the vocal (if one exists).

Sunday, November 08, 2009

Oak Sounds


I thought I'd do a few selections from some of my favourite labels.

First up is Oak Sound, best known for putting out 'Five Man Army' which has to be one of the best deejay tracks of the eighties, but also home to a small but select collection of some of the decade's finest roots tunes.

Oak Sounds

1. Five Man Army - Dillinger, Trinity, Wayne Wade, Al Campbell & Junior Tamlin
2. Man In Love - Echo Minott
3. Three Man Connection - Al Campbell, Dillinger & Trinity
4. Mr Officer - Wayne Blackstock
5. When Music Hits You - Diana
6. University - Paula Clarke
7. Top Of The Pops - Captain Sinbad
8. Open Book - Barrington Levy

Enjoy

More soon, possibly Negus Roots - I feel I owe you something good.

Sunday, July 05, 2009

Upsetter deejay singles

Here's a selection of Upsetter-produce deejay singles from 1972 to 1974.  I'm saving the real gem, 'Bring The Kuchy Come' (Dillinger's version of 'Words') for a later post but this lot are all fantastic songs.

What really stands out for me is just how good the mixes are on all of these tracks. Lee Perry didn't have a whole lot of equipment at the Black Ark, in fact, all of today's songs were put together using:

- Alice mixer (Scratch: "They weren't professional machines they were only toys")
- Grantham [Grampian?] spring reverb
- Roland Space Echo RE201
- Marantz amplifier for instruments
- AKG drum mic for vocals
- Teac 3340 1/4 inch 4-track recorder
- Teac 2-track recorder for mix down

Listen to the mix on 'The Lama' - it's perfect. Same goes for all the songs. There are lots of very good Perry compilations available nowadays, so there's no excuse for not having at least one. 


Anyway, enjoy.